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Bharat Kala Bhavan

An Art And Archeological Museum
Banaras Hindu University

 

         

The Museum houses about two thousand stone sculptures from circa 3rd century B.C. to the 14th century A.D. These hail from various sites stretching from the ancient Gandhara regions (modern Afghanistan and Pakistan) to Bengal but mostly represent the so called Ganga- Yamuna valley. Made in various kinds of stone such as schist, slate, sand stone (red and buff), lime, chlorite, basalt and granite, the pieces include divine and semi-divine figures related to Hindu, Buddhist, Jaina and Folk religions of India. Of these sculptures, a few being inscribed are historically important. There are some sculptures which betray rare iconography of certain divinities. There are also some sculptures which were relieved with fascinating narratives and finally, there are quite a few which are artistically beautiful and pleasing.

 

The Museum has in its collection a few ring stones. Executed superbly, these small ring stones are dated between c. 3rd century B.C. and lst century B.C. Carved in Chunar sand stone, these were mostly collected either from Rajghat in Varanasi or from Kausambi near Allahabad. Some of these have a hole in the middle while others are devoid of it. Decorated with floral and vegetal motifs and animals, a few of these indicated the standing figure of a mother goddess. The scholars ascribe their relations with solar symbolism and the cult of mother goddess and consider these as symbols of Sakti worship. The Museum also possesses a number of fragmentary pieces of pillar capitals. Belonging to the Asokan period, these stone pieces came as gifts from the Archaeological Survey of India, Sarnath region.
The sculptures belonging to the Sunga period (2nd- Ist cent. B.C.) are very few in number and the Museum has some fragmentary pieces from the Buddhist Stupa railings of Bharhut in Central India. These include fragment of pillar (thabha), a few crossbars (suchi) and the fragment of coping stone (ushnisha). Of these, mention may be made of an inscribed crossbar (SUChl) that incorporates the story of a Whale (timingila) in which a big whale, promted by the sense of non-violence is shown emitting out with great pain, an already swallowed boat with its passengers. Of other notable pieces of the period, mention may be made of the figure of Trimukha Yaksha from Rajghat and winged dear and horse on either side of a crossbar from Ahichchhatra.

Sculpture Gallery 1

Sculpture Gallery 2