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The
Museum houses about two thousand stone sculptures from circa 3rd century B.C. to
the 14th century A.D. These hail from various sites stretching from the ancient
Gandhara regions (modern Afghanistan and Pakistan) to Bengal but mostly
represent the so called Ganga- Yamuna valley. Made in various kinds of stone
such as schist, slate, sand stone (red and buff), lime, chlorite, basalt and
granite, the pieces include divine and semi-divine figures related to Hindu,
Buddhist, Jaina and Folk religions of India. Of these sculptures, a few being
inscribed are historically important. There are some sculptures which betray
rare iconography of certain divinities. There are also some sculptures which
were relieved with fascinating narratives and finally, there are quite a few
which are artistically beautiful and pleasing.
The
Museum has in its collection a few ring stones. Executed superbly,
these small ring stones are dated between c. 3rd century B.C. and
lst century B.C. Carved in Chunar sand stone, these were mostly
collected either from Rajghat in Varanasi or from Kausambi near
Allahabad. Some of these have a hole in the middle while others are
devoid of it. Decorated with floral and vegetal motifs and animals,
a few of these indicated the standing figure of a mother goddess.
The scholars ascribe their relations with solar symbolism and the
cult of mother goddess and consider these as symbols of Sakti
worship. The Museum also possesses a number of fragmentary pieces of
pillar capitals. Belonging to the Asokan period, these stone pieces
came as gifts from the Archaeological Survey of India, Sarnath
region.
The sculptures belonging to the Sunga period (2nd- Ist cent. B.C.)
are very few in number and the Museum has some fragmentary pieces
from the Buddhist Stupa railings of Bharhut in Central India. These
include fragment of pillar (thabha), a few crossbars
(suchi) and the fragment of coping stone (ushnisha). Of
these, mention may be made of an inscribed crossbar (SUChl)
that incorporates the story of a Whale (timingila) in which a
big whale, promted by the sense of non-violence is shown emitting
out with great pain, an already swallowed boat with its passengers.
Of other notable pieces of the period, mention may be made of the
figure of Trimukha Yaksha from Rajghat and winged dear and horse on
either side of a crossbar from Ahichchhatra. |
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